Premium Squeegee
A medium blade for clean, even strokes across the run.
Professional Grade
High pigment load, high solids — the performance the factories rely on, in pots a small studio can actually use — the high-solids ink the trade runs, not the cheap water-based that let you down.
The real reason
Hobby grade
What you've been buying
Professional grade
What the factories run — and what's in this pot
The factories that print for the biggest brands have always used the professional tier. Pigmento is that exact ink — now in pots sized for your studio.
Why it performs
Three things shift the moment you leave hobby-grade ink:

This is the one printers call the "holy grail" — getting white and bright colour to actually cover black instead of sinking in grey and patchy. Pigmento's high pigment load lays down opaque on black, navy and grey in a pass or two. Colour reads even brighter over a white underbase, but you don't need one to get coverage.
Cheap water-based skins over in three to five minutes — long enough to clog your mesh and force you to stop and scrub mid-run. Pigmento stays open across a full run, so you can print, flash and print without it drying in. On hot days, a few percent of Retarder Gel extends it further.


The classic water-based failure is a print that cracks like an eggshell or fades out in the first wash. Cured properly, Pigmento sets to a flexible film that stretches with the fabric and holds wash after wash — soft, no cracking, no fading. Always wash-test to confirm your cure.
How to cure it — straight answer
The reliable, cost-effective way to cure Pigmento is a heat press or tunnel dryer — and we won't pretend otherwise. A bare iron or heat gun gives uneven heat you can't trust; that's cowboy stuff, and it's the gamble that cracks in the wash.
Only got an iron or heat gun? Add the Low-Cure additive — it drops the cure point so your iron or gun actually sets the ink properly, and faster. No heat at all? With the additive it cures on its own at room temperature over 24–48 hours.
Either way, always wash-test before you sell.
Seen on the press
The same professional ink the UK's biggest factories run — made in Barnsley since 1978, by the country's market-leading trade supplier.

Solid white on blackOpaque white, laid down on black cotton in a single colour — the objection most printers raise first.

Flex without crackingThe cured print stretched by hand. It moves with the fabric and settles back.

Through the washThe same print after a domestic wash. Judge the colour and the hand-feel for yourself.
Buy 3, get 1 free — applies to all products.
Suggested partners
The additives and companions that round out the kit. Buy any three items, get a fourth free.
A medium blade for clean, even strokes across the run.
Pre-stretched aluminium frames. Pick your mesh count and frame size.
Graduated cups for measuring additives and mixing colour. Sleeve of 50.
Stainless blade for mixing additives and lifting ink cleanly.
What printers say
Amazing service, super fast — everything exactly how I needed it. Will definitely use again and again.
Delivered an incredibly unique and awkward colour for us on a super tight turnaround. The service was amazing.
Quality ink supplies, mixed to a specific Pantone order. Went above and beyond to meet client deadlines. Would 100% recommend.
Straight answers
The honest version — including the bits cheaper inks gloss over.
This is the question every water-based printer asks first, because most inks let them down here. Pigmento is the professional tier — a high-solids base loaded to 12% pigment, not a thin hobby paste. White and the opaque colours lay down solid on black and navy cotton; pastels and mid-tones cover cleanly in a single pass.
You can print the colours straight onto dark garments. Don't take our word for it — there's a real white-on-black print further up this page. Judge the coverage yourself.
A print that survives the studio but dies in the customer's wash is the worst outcome there is — so we built this page around proof, not adjectives. Cured properly, Pigmento stays flexible and moves with the fabric, so it stretches without cracking and holds its colour through domestic washing. The stretch and wash shots above are real prints, not renders.
The one non-negotiable is the cure. Under-cured ink is what cracks and washes out — so whatever your kit, always run a wash test on a scrap before you commit a real garment.
Cure is 1½ minutes at 165°C (330°F), and a heat press or tunnel dryer holds that comfortably. A flash dryer only dries the surface — it won't hold the heat long enough to actually cure. An iron or heat gun can't keep an even temperature across the print either, so on its own we don't recommend relying on one for anything you're selling.
Only got an iron or heat gun? Stir in the Pigmento Low-Cure additive (0.5–2%) — it drops the cure point so your iron or gun sets the ink properly, and faster. No heat at all? With the additive, prints cure at room temperature over about 24–48 hours; condition them before the first wash. Either route, confirm it with a wash test before you scale up.
Ink drying on the mesh is the classic water-based frustration — and the reason a lot of printers drift back to plastisol. Pigmento is formulated with workable open time so it behaves like a screen ink, not a race against the clock.
For long runs or a hot studio, stir in the Pigmento Retarder Gel to slow drying further and keep the ink open in the screen. Between pulls, flood the screen and keep it covered, and you'll lose far less to drying.
Fair — the real risk isn't the price per pot, it's committing real money to a litre of ink before you know it suits your press. So Pigmento comes in studio-sized pots from 250ml (£29): prove it on your own setup first, then scale up to 500ml or 1L once you trust it.
And every pot is covered. Print it, cure it, wash it. If it lets you down, you're covered by our 30-day money-back guarantee. No questions asked.
This isn't a new mystery brand. The commercial trade brand behind Pigmento has supplied the UK industry for 30 years — the market leader, trusted by the biggest print factories in the country, the ones printing for major global brands. The ink in the pot is MagnaPrint, a high-solids ink made in Barnsley since 1978 — the same professional tier those factories run by the drum.
Pigmento is our venture to bring that same ink to smaller studios: studio-sized pots instead of 120kg containers. So the colour you mix this year is the colour you can re-order next year — same formula, same source, and a real person to email if you get stuck. Made in England, here when you come back.
Print like the factories
You've seen the proof, the pedigree and the guarantee. The only thing between you and a print that covers, holds and feels right is the ink in the pot — and that's the one thing we've fixed. Same high-solids ink the UK's biggest factories run, now sized for your studio.
Configure my inkPrint it, cure it, wash it. If it lets you down, you're covered by our 30-day money-back guarantee. No questions asked.

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